For kaikaranga, taonga pūoro and chamber ensemble
Text by Aroha Yates-Smith
The first performance of Hineteiwaiwa was given by the ERGO Ensemble, conducted by Alex Pauk, with Aroha Yates-Smith (kaikaranga) and Richard Nunns (taonga pūoro) in the Glenn Gould Auditorium, Toronto on 10 November 2006.
About the work
Hineteiwaiwa was commissioned by the ERGO Ensemble with financial assistance from Creative New Zealand.
Hineteiwaiwa is a wahine atua — a Maori goddess — the exemplary wife and mother who provided the pattern that all women follow. She assists at the entrances into and the exits from the world, with rituals concerned with tattooing of the lips prior to marriage, with the raising of tapu, and she is credited by some iwi with the introduction of weaving into the culture. Generally, she supports the role of women in traditional society.
Hineteiwaiwa was written at the time that Tungia Baker, herself an exemplary wahine toa, or woman of strength, was dying, and is dedicated to her memory.
Hineteiwaiwa is scored for: kaikaranga (a woman who has the role of making the ceremonial call to visitors onto a marae), taonga pūoro, and an ensemble of: flute/ piccolo, flute/ alto flute, bassoon, harp, string quartet and percussion. It can be performed without voice, but must involve taonga pūoro.
In the improvisatory sections, which are guided and shaped by the taonga pūoro player, there are few indications in the score. Generally, the improvisations involve the percussionist. Māori texts, devised and sung by the kaikaranga, may be integrated into these sections. Also embedded in the improvisatory sections of the piece is a separate vocal composition by Aroha Yates-Smith, woven around the attributes and quality of Hineteiwaiwa.
Score and recording
Buy or borrow the score, or hire the parts from SOUNZ.
RNZ Concert recorded Hineteiweiwa in 2009.